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Album The dB's - Repercussion

Interprète:

The dB's

Titre:

Repercussion

Genre:

Rock / Pop

Taille de l'album MP3:

1658 mb

Taille de l'album FLAC:

2696 mb

Label:

Albion Records

Classement:

4.5

Style:

Alternative Rock, Pop Rock

Pays:

US

Date de publication:

Oct 1981

Catalogue:

ALB 109

Album The dB's - Repercussion

Tracklist

1Ups And Downs
2From A Window To A Screen
3Neverland
4Ask For Jill
5I Feel Good (Today)
6We Were Happy There
7Nothing Is Wrong
8Happenstance
9Amplifier
10Storm Warning
11Living A Lie
12In Spain

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
609411The dB's Repercussion ‎(LP, Album)Edisom609411Portugal1982
ALCD 9.00032 OThe dB's Repercussion ‎(CD, Album, RE)Albion Records, Line ALCD 9.00032 OGermany1987
201911The dB's Repercussion ‎(LP, Album)Albion Records, Virgin201911France1982
ALMC 7.00032The dB's Repercussion ‎(Cass, Album)Albion RecordsALMC 7.00032Germany1985
ALB 109The dB's Repercussion ‎(LP, Album)Albion RecordsALB 109UK1982

Crédits

  • Artwork [Art Direction]Chris Nelson
  • Artwork [Lines/shapes]Peter Holsapple
  • Engineer [Added Engineering]John Rhodes, Neil Hornby
  • HornsThe Rumour Brass
  • Keyboards [Additional]Andy Clark
  • ManagementBob Singerman
  • Mastered ByTed Jensen
  • Mixed By [Added Mixing]Steve Churchyard
  • Photography ByPhil Marino
  • Producer, Recorded ByScott Litt
  • SaxophoneJohn "Irish" Earle
  • TromboneChris Gower
  • TrumpetDick Hansen
  • Written-ByC.Stamey (tracks: A3, A4, A6, B1, B3, B4), P.Holsapple (tracks: A1, A2, A5, B2, B5, B6)

Notes

Manufactured in the UK for the US market. All later versions have a different cover and different tracklist.

Codes-barres

  • Matrix / Runout: ALB 109 A SP009 F U CN RD THS, U R 2 CLOSE STERLING
  • Matrix / Runout: ALB 109 B SP009 CAREFUL W/ THAT PIGEON, EUGENE STERLING

Entreprises

  • Phonographic Copyright (p) – Albion Records Ltd.
  • Copyright (c) – Albion Records Ltd.
  • Published By – Albion Music Ltd.
  • Mastered At – Sterling Sound

Video

Album

Repercussion is the second studio album by American power pop band the dB's, released in 1982 by Albion Records. Like its predecessor, Stands for Decibels, the album was commercially unsuccessful but critically acclaimed. This was the band's final album with the original lineup, as Chris Stamey left in early April 1982. Stamey and Peter Holsapple, the band's dual singersguitarists, each ended up contributing six songs on the album. As was the case on their debut, Stamey's songs veered towards more. Repercussion - The dB's. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. The DB's. We Were Happy There. UMG от лица компании EMI CMRRA, Warner Chappell, BMI - Broadcast Music Inc. Concord Music Publishing. Repercussion is very much of a piece with the debut, repeating much of the same formula that made Stands for Decibels great - terrific harmonies, winning melodies, and catchy hooks with subtle quirks thrown into the mix. This time, they feature a fuller, more polished sound, but the impact of the songs isn't diminished. Stamey left shortly after Repercussion to pursue a solo career. The dB's - Repercussion 1982. To favorites 1 Download album. Listen album. Rock Alternative Rock Pop-Rock. The dB's. Songs in album The dB's - Repercussion 1982. The dB's - Happenstance. The dB's - We Were Happy There. The dB's - Living A Lie. The dB's - From A Window To A Screen. The dB's - Ask For Jill. The dB's - Amplifier. The dB's - Soul Kiss. The dB's - Neverland. The dB's - Storm Warning. Album 1981 12 Songs. Repercussion The dB's. The dBs. Released January 1982. Repercussion Tracklist. Living a Lie Lyrics. Repercussion Q&A. More The dBs albums. Falling Off the Sky. Stands for deciBels, Repercussion. Show all albums by The dBs. Listen free to The dB's Repercussion Living A Lie, We Were Happy There and more. 12 tracks 37:24. Poor record sales kept them from building an audience. Atop their two-guitar line-up, the dB's experiment with keyboards and effects, firing rounds of world class hooks at fans' feet and daring them not to pogo. And all this while retaining such a distinct sound unlike many guitar-pop bands of the time, the dB's preferred a live, unpolished sound to glossy 80s production

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