Album Lana Del Rey - Ultraviolence
|1||Money Power Glory|
Bass Guitar, Drums, Guitar, Keyboards – Greg KurstinEngineer [Additional] – Alex Pasco, Julian BurgMixed By, Producer – Greg KurstinWritten-By – Greg Kurstin, Lana Del Rey
|2||Shades Of Cool|
Drum Programming – Collin DupuisDrums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan , Russ PahlEngineer – Collin DupuisMellotron – Leon MichaelsMixed By – Robert OrtonOmnichord – Seth KaufmanProducer – Dan AuerbachWritten-By – Lana Del Rey, Rick Nowels
|3||Guns And Roses|
Drums – Brian Griffin Engineer [Assistant] – Vira ByramjiEngineer [Mix], Tracking By [Engineer] – Phil JolyGuitar – Blake StranathanMixed By – Phil JolyProducer – Lana Del Rey, Lee Foster , Rick NowelsWritten-By – Lana Del Rey, Rick Nowels
|5|| My Way Up To The Top|
Drum Programming – Collin DupuisDrums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan , Seth KaufmanEngineer – Collin DupuisMellotron, Piano, Synthesizer – Leon MichaelsMixed By – Robert OrtonPedal Steel Guitar – Russ PahlProducer – Dan AuerbachWritten-By – Daniel Heath, Lana Del Rey
Backing Vocals – Alfreda McCrary Lee, Ann McCrary, Lana Del Rey, Regina McCraryDrum Programming – Collin DupuisDrums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan , Seth KaufmanEngineer – Collin DupuisMellotron, Piano, Synthesizer – Leon MichaelsMixed By – Collin Dupuis, Dan AuerbachPedal Steel Guitar – Russ PahlProducer – Dan AuerbachWritten-By – Daniel Heath, Lana Del Rey
Acoustic Guitar – Russ PahlDrums – Nick MovshonElectric Guitar – Seth KaufmanElectric Guitar, Synthesizer – Dan AuerbachEngineer – Collin DupuisEngineer [Vocals] – Kieron MenziesMellotron – Leon MichaelsMellotron, Synthesizer – Kenny Vaughan Mixed By – Robert OrtonProducer – Dan AuerbachProducer [Vocals] – Rick NowelsSynthesizer – Collin DupuisWritten-By – Lana Del Rey, Rick Nowels
Backing Vocals – Lana Del ReyDrums – Maximilian WeissenfeldtDrums, Electric Bass – Nick MovshonElectric Guitar, Shaker, Synthesizer, Twelve-String Guitar – Dan AuerbachEngineer – Collin DupuisProducer – Dan AuerbachWritten-By – Lana Del Rey, Rick Nowels
|9||The Other Woman|
Drums – Nick MovshonElectric Guitar – Kenny Vaughan Engineer – Collin DupuisMixed By – Robert OrtonPedal Steel Guitar – Russ PahlProducer – Dan AuerbachSynthesizer – Dan AuerbachSynthesizer, Mellotron, Saxophone – Leon MichaelsWritten-By – Jessie Mae Robinson
Drums, Handclaps – Maximilian WeissenfeldtElectric Bass, Handclaps – Nick MovshonElectric Guitar – Kenny Vaughan Electric Guitar, Handclaps – Dan AuerbachEngineer – Collin DupuisMixed By – Robert OrtonPedal Steel Guitar – Russ PahlProducer – Dan AuerbachSynthesizer, Handclaps – Seth KaufmanSynthesizer, Mellotron, Handclaps – Leon MichaelsWritten-By – Blake Stranathan, Lana Del Rey
|11||Pretty When You Cry|
Drums – Brian Griffin Engineer – Phil JolyGuitar – Blake StranathanMixed By – Robert OrtonProducer – Blake Stranathan, Lana Del Rey, Lee Foster Written-By – Blake Stranathan, Lana Del Rey
Arranged By, Producer – Daniel HeathEngineer – Milton GutiérrezEngineer [Assistant] – Andy ZisakisMixed By – Robert OrtonOrchestrated By – Matthew McGaugheyWritten-By – Daniel Heath, Lana Del Rey, Robbie Fitzsimmons
Bass Guitar – Tom HerbertDrums – Leo TaylorEngineer – Matt WigginsEngineer [Vocals] – Kieron MenziesGuitar – Pablo TatoMellotron, Organ [Philicorda] – Nikolaj Torp LarsenMixed By – Robert OrtonPiano – Ed Harcourt, Rick NowelsProducer – Paul EpworthProducer [Vocals] – Rick NowelsWritten-By – Lana Del Rey, Rick Nowels
Backing Vocals – Seth KaufmanDrum Programming – Collin DupuisDrums – Nick MovshonElectric Guitar – Russ PahlElectric Guitar, Synthesizer, Backing Vocals – Dan AuerbachEngineer – Collin DupuisMellotron, Synthesizer – Leon MichaelsMixed By – Collin Dupuis, Dan AuerbachProducer – Dan AuerbachWritten-By – Dan Auerbach, Harmony Corrine, Lana Del Rey
Acoustic Guitar – Kenny Vaughan Acoustic Guitar, Pedal Steel Guitar – Russ PahlDrums – Maximilian WeissenfeldtDrums, Electric Upright Bass – Nick MovshonElectric Guitar – Dan AuerbachElectric Guitar, Percussion, Backing Vocals – Seth KaufmanEngineer – Collin DupuisMellotron, Tambourine, Tenor Saxophone, Percussion – Leon MichaelsMixed By – Robert OrtonProducer – Dan AuerbachWritten-By – Barrie O'Neill, Lana Del Rey
|B0020991-02||Lana Del Rey||Ultraviolence (CD, Album, Dlx)||Polydor, Interscope Records||B0020991-02||US||2014|
|none||Lana Del Rey||Ultraviolence (CDr, Album, Promo)||Interscope Records, Polydor, Universal Music France||none||France||2014|
|B0020962-02||Lana Del Rey||Ultraviolence (CD, Album, Dlx, Tar)||Polydor, Interscope Records||B0020962-02||US||2014|
|3786541||Lana Del Rey||Ultraviolence (CD, Album)||Polydor, Interscope Records||3786541||Europe||2014|
|3788049||Lana Del Rey||Ultraviolence (CD, Album, Dlx, Ltd)||Vertigo||3788049||Germany, Austria, & Switzerland||2014|
- Design – Mat Maitland
- Management – Ben Mawson, Ed Millett, Tapmgmt
- Mastered By – John Davis
- Photography By – Neil Krug
- Photography By [Additional] – Myan Soffia
- Vocals – Lana Del Rey
Released in a gatefold cardboard sleeve.
Track 9 is given full title, 'Fucked My Way Up To The Top', in the booklet.
Track 1, 3, 4, 9, 11 mixed at Hot Rocks Studios. Recorded at Easy Eye Sound, Nashville, TN, USA.
Track 2 recorded and mixed at Easy Eye Sound, Nashville, TN, USA.
Track 5 strings recorded at The Bridge, Glendale, LA, USA.
Track 6 mixed at Hot Rocks Studios. Recorded at Easy Eye Sound, Nashville, TN, USA. Vocals recorded at The Green Building (Santa Monica).
Track 7 mixed at Hot Rocks Studios. Recorded at Electric Lady Studios NYC.
Track 8 recorded at Echo Studio, Los Angeles, CA, USA.
Track 10 mixed at Hot Rocks Studios. Strings recorded at The Bridge, Glendale, LA, USA.
Track 12 recorded at The Church Studios, London, UK and The Green Building, Santa Monica, USA.
Track 13 recorded at Electric Lady Studios, NYC, USA.
Track 14 recorded at Easy Eye Sound, Nashville, TN, USA.
All tracks mastered at Metropolis Studios, London.
- Barcode: 602537857548
- Mastering SID Code: IFPI LY92
- Mould SID Code: IFPI 1153
- Matrix / Runout: RIMOentertainment 6462/14 060253785754
- Rights Society: ASCAP
- Rights Society: BMI
- Label Code: LC00309
- Other (Batch ID): AB0010000
- Phonographic Copyright (p) – Lana Del Rey
- Copyright (c) – Lana Del Rey
- Licensed To – Polydor Ltd. (UK)
- Licensed To – Interscope Records
- Manufactured By – Sonopress Rimo Indústria E Comércio Fonográfica S.A.
- Distributed By – Sonopress Rimo Indústria E Comércio Fonográfica S.A.
- Licensed From – Universal Music International Ltda.
- Pressed By – Rimo Entertainment – 6462
- Recorded At – Bridge Recording
- Recorded At – The Church, London
- Recorded At – Easy Eye Sound
- Recorded At – Echo Studio, Los Angeles, CA
- Recorded At – Electric Lady Studios
- Recorded At – The Green Building, Santa Monica
- Mixed At – Easy Eye Sound
- Mixed At – Hot Rocks Studios
- Mastered At – Metropolis Studios
- Published By – Edward Kassner Music Co. Ltd.
- Published By – EMI April Music Inc.
- Published By – Hour Box Music
- Published By – Kurstin Music
- Published By – R-Rated Music
- Published By – Songs Music Publishing
- Published By – Sony / ATV Music Publishing
- Published By – Wixen Music Publishing, Inc.
- Published By – Copyright Control
- Designed At – Big Active
Ultraviolence is the third studio album by American singer and songwriter Lana Del Rey, released on June 13, 2014 by UMG Recordings. Despite originally dismissing the possibility of releasing another record after her major-label debut Born to Die 2012, Del Rey began planning its follow-up in 2013. Production continued into 2014, at which time she heavily collaborated with Dan Auerbach to revamp what she initially considered to be the completed record. The project saw additional contributions from. Ultraviolence - Lana Del Rey. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Lana Del Rey. UMG от лица компании Polydor Records LatinAutor - SonyATV, UNIAO. SYML - In My is the third studio album and second major-label studio album by Lana Del Rey. It was officially released on June 13, 2014, by Universal Music Group. After having commercial success with her first major-label album, Born to Die, Del Rey re-released it accompanied by a standalone EP, Paradise, in late 2012. Del Rey presumably began working on her second studio effort around this time. She was photographed in a recording studio on January 27, 2013 in Los Angeles, California. She stated. 2012s Born to Die, Del Reys major-label debut, is a woozy collection of siren songs that mimics Peggy Lees gauzy romanticism by way of Mazzy Star. Two years later, Del Rey is still a sad tomato. Ultraviolence is a melancholy crawl through doomed romance, incorrigible addictions, blown American dreams. Ultraviolence is Lana Del Reys second studio album following her highly publicized debut with Born To Die. A notable departure from her orchestral and hip-hop debut, the album features prominent string based instrumentations. Lyrically, the album is more of a concept creation rather than a narrative and see Lana addressing topics ranging from break-ups, vanity and even California. Lana has said that the album had to undergo a complete rework after she met producer Dan Auerbach, who convinced her to change production. The album went on debut at 1 on the Billboard 200 albums chart and is still. Album 2014 15 Songs. Musing on dark themes-the corruption of power, money, and, of course, violence-Del Rey offers a hypnotic set of darkly tempered songs. Lana Del Rey, the creation of singer and songwriter Lizzy Grant, is all alone. Shes an utterly distinctive figure in popular music-not part of a scene, with no serious imitators-and befitting someone completely off on her own, shes lonely. But here shes found the perfect musical vehicle for her vision. Ultraviolence sounds tragic and beautiful-darkly-shaded ballads are what she was created to make, and this album is nothing but, a Concept Album from a Concept Human. The first section of the album is so gorgeous and rich, Ultraviolence at first seems better than it is. The maelstrom of hype surrounding self-modeled Hollywood pop star Lana Del Rey's 2012 breakthrough album, Born to Die, found critics, listeners, and pop culture aficionados divided about her detached, hyper-stylized approach to every aspect of her music and public persona. What managed to get overlooked by many was that Born to Die made such a polarizing impression because it actually offered something that didn't sound like anything else. On Ultraviolence â Lana Del Rey's third studio LP and second since transforming herself from mild-mannered retro songstress Lizzie Grant into the hyper-stylized post-modern glamour queen we've all come to love andor hate â she once again dives into the depravity of American culture. After the critical drubbing she withstood from late 2011 through early 2012, Lana Del Rey would have been well justified in packing up her party dresses and heart-shaped sunglasses and secluding herself in some Hollywood mansion, Sunset Boulevard-style